ACTIVITIES

Activities of the miami music teachers association

General Meetings: At least five a year, subject to the decision of the Board. Notice as to meetings and all of the following activities is given in the newsletter, Tones and Overtones.

Informal Recitals: At least three a year. Each teacher may present two students at each recital, with no auditions required. See information following.

Honors Recital: A public recital in the spring for students through high school, except for voice students where the age limit is 20. Auditions are held to choose participants and each teacher may present two students. See rules following.

Composition Contest: An annual contest with junior (through age 13) and senior (age 14 through high school) divisions. There is no limit to the number of students each teacher may enter. Awards are presented at the discretion of the judges.

Scholarships: See description of Scholarship Program.

Workshops: At least one each year, the date being set for the convenience of the workshop presenter.

Miscellaneous: Cooperative projects with other musical organizations such as Greater Miami Youth Symphony, National Association of Teachers of Singing, and American Guild of Organists. Teacher recitals are encouraged, as well as performances and presentations at meetings.

District Student Day: A non-competitive program consisting of 12 levels and a starter Primary level is available for all FSMTA teachers. It can be obtained with purchase of an FSMTA Handbook of Student Activities, available from the District Student Activities chairperson. Auditions similar to those held by the National Guild of Piano Teachers are held each spring for students of all instruments and voice. Students are evaluated by three separate tests in the following areas:

(1) repertoire, keyboard skills, musicianship, and sightreading; (2) written theory; (3) aural theory. Rules for preparing students are given in the Handbook.
Competitive Events: District runoffs take place for entries in piano and other instruments for (1) Concerto and (2) Community Service Awards. Concerto winners perform at the FSMTA Competitive Events. Winners are announced at the State Conference. District competition deadlines will be published in the local newsletter Tones and Overtones.

District Convention: District VI holds an annual one day convention usually in the fall, called Enrichment Day. District business is transacted and a workshop is usually presented.

State Competitive Events:

(1) District Concerto winners;

(2) Pre-College and College Byrd Piano Ensemble competition;

(3) Pre-Collegiate and Collegiate Chamber Ensemble competitions;

(4) Gray Perry Young Collegiate Artist competition.

These take place at least six weeks after the District runoffs for Concerto and Community Service Awards, usually in early June. The site is chosen by rotation throughout the state. Entry fees are currently $30.

The following nationally-sponsored competitions occur at the State convention in the fall: Warner Bros. Publications, Inc. composition contest, Baldwin Junior High School Keyboard Auditions, Selmer Instrumental Auditions, Yamaha High School Auditions, and the Collegiate Artist Competitions. Winners at the State level proceed to the Divisional competitions.

It should be noted that the Selmer and Baldwin competitions are for students in grades 7-9 (at the time of the national auditions), the Yamaha competition for students in grades 10-12, and the collegiate competitions for high school graduates under the age of 27. The composition contest encompasses all age groups from first grade through age 26.

See the FSMTA Newsletter for details and deadlines.

State Conference: Each November FSMTA has a conference hosted by a rotation of its ten districts. Dates are given far in advance in the FSMTA Newsletter.

State Certification: State certification gives recognition to teachers who, by a record of training and experience and by student demonstration, prove to be of superior professional standing. A brochure explaining certification and giving requirements is available through the State Certification chairperson

State Newsletter: News of the activities of FSMTA is furnished in the FSMTA Newsletter, which is published in the months August – May and is sent to all FSMTA members.

State Directory and Bylaws: Each State member who receives a copy of the FSMTA Directory which lists all members, all State and National officers, Bylaws, and available awards.

The following is a complete list of FSMTA Foundation awards, presented to the winner of each of the following auditions:

Birchfield Memorial High School Piano

Yamaha High School Strings

Yamaha High School Voice

Yamaha High School Woodwind

Yamaha High School Brass

Yamaha High School Percussion

Byrd Memorial Award College Piano Ensemble

Byrd Memorial Award Pre-College Piano Ensemble

Amanda Adams Memorial Senior Concerto Piano

Bernice Hack Memorial Concerto Intermediate Piano

Executive Board Concerto Junior Piano

Concert Contest Senior Organ

Concert Contest Senior Brass

Concert Contest Senior Woodwind

Concert Contest Senior Percussion

Concert Contest Senior Voice

Concert Contest Senior Strings

Leonard & Norma Mastrogiacomo Pre-College Chamber Music

Phillip and Joan Mank Collegiate Chamber Music

Sue Bentley Colvert Collegiate Artist in Piano

Jane Sterret Memorial Collegiate Artist in Voice

College Artist in Organ

College Artist in Strings

College Artist in Woodwinds

College Artist in Brass

College Artist in Percussion

College Artist in Classical Guitar

Gray Perry Memorial Young Collegiate

Boda Fund Collegiate Composition

Composition High School

Composition Junior High School

Composition Elementary School

Greenspan Memorial – FSMTA Community Service Award

Local and District President’s Community Service Award for Ninth Graders

Rebecca Rodenberg Junior Keyboard Achievement

Junior High Audition Brass Award

Junior High Audition String Award

Junior High Audition Woodwind Award

Junior High Audition Percussion Award

Florida Steinway Dealers’ High School Piano Award

1. Competitive Events: For full information go to MTNA website www.MTNA.org and click on Competitions. Rules, requirements and official application forms are available in the June/July issue of the American Music Teacher magazine. MTNA Student Competitions consist of three levels: State Competition, Division Competition and National Finals. State winners of high school and collegiate competitions proceed to divisional and national competitions. National winners are presented in recital at the National Conference. The following competitions are currently sponsored by MTNA:

Junior Performance Competitions,
sponsored by: Baldwin Piano Company, sponsor of the piano competition; Conn-Seimer, Inc., sponsor of the brass competition;
The MTNA Foundation, sponsor of the percussion, string and woodwind competitions.
Senior Performance Competitions, sponsored by: Yamaha Corp. of America, Piano Division, sponsor of the piano competition;
Yamaha Corp. of America, Band & Orchestral Division, sponsor of the percussion competition;
The MTNA Foundation, sponsor of the brass, string, voice and woodwind competitions
Young Artist Performance Competitions, sponsored by:Gibson Musical Instruments, sponsored by the guitar competition;
Slingerland Drum Company, sponsor of the percussion competition;
Steinway & Sons, sponsor of the piano competition;
The MTNA Foundation, sponsor of the brass, organ, string, voice and woodwind competitions
Chamber Music Performance Competition, sponsored by: Allen I. McHose Scholarship Fund
Student Composition Competitions, sponsored by: Warner Bros. Publications, Inc.

2. National Conference: The annual national conference is a four or five day event in the spring which includes music performed by the finest artists, discussion, lectures, demonstrations, etc. The American Music Teacher publicizes information and the conference well in advance.

3. National Certification: The relationship between national certification and state certification is constantly under review. At present, one does not guarantee the other and there are different procedures to go through but, generally, the Florida teachers who quality state certification should be able to obtain national certification.

4. National Magazine: The American Music Teacher, which is sent to every state member, publishes articles of interest to teachers in the many musical fields, and keeps our membership informed of the many activities of MTNA. It is published six times a year.

5. MTNA Scholarships: MTNA Scholarship Foundation provides scholarship, awards, grants for research, and financial assistance for the nation’s most talented youth. More than $34,000 is awarded annually.

6. MTNA Insurance: National members are eligible to apply for MTNA group insurance and disability. Instrument insurance is also available.

7. Financial Services: National members may apply for the MTNA Silver Mastercard. It is free of an annual fee for the first year and the annual percentage rate on the unpaid balance is among the lowest available. There is also a loan program for up to $7,500 on signature alone.

2014 – 2015 CALENDAR OF EVENTS

COE2

Rules for Informal Recitals

1. Each Active member may submit two students per recital. There are no age limits or divisions for participating students.

2. Applications may be submitted electronically or be submitted to the Chairperson on a 3×5 index card and postmarked no later than ten days prior to the recital. The following information must be included on the card:

Student: name, age, number of years study and level (elementary, intermediate, advanced)
Teacher: name and telephone number Work(s) to be performed:
complete title (including Opus and Number if applicable), composer, and duration

3. Students may perform two very brief works or one longer work. Total performance time for each student must be limited to 5 minutes or less. An advanced level student may perform a work which runs slightly longer than 5 minutes. Solo works are to be performed from memory. Repeats are not to be taken.

4.There is no fee for entering an Informal Recital. Applications may not be made by telephone. Additional applications or changes to the program may be made after the deadline.

5. Students must arrive at least 10 minutes before the scheduled time for the recital to begin, and may not leave before the recital has ended. The same guidelines are intended

to apply to students’ family and friends, and teachers must assume the responsibility for informing all those who plan to attend.

For further information contact Information Recital Chairperson.

 

Rules for Student Competitions

Auditions will be held each spring. To be eligible to submit students, a teacher who holds ACTIVE membership must have paid current MMTA, MTNA, and FSMTA membership dues on or before October 1 of the current fiscal year. The only exception to this deadline will be granted to a teacher joining those three organizations for the very first time. This one time exception will allow the teacher to pay all dues on or before January 1st of the audition year. In accordance with MMTA bylaws, an Active teacher must also attend at least two meetings during the current fiscal year (June through May). For teachers entering students for MMTF Honors and/or ALL Scholarships, these 2 meetings must be attended BEFORE THE APPLICATION DEADLINE.   Any teacher who has students participating in any function of MMTA or MMTF will be required to accept a help assignment from the chairman of that event. The assignment may require the teacher’s presence on audition day or performance day.

Students must have completed at least 6 months study with the teacher who submits the application. Students who have graduated from high school or taken the GED are not eligible (except for voice students, where the age limit is 20).

At least one original of the composition performed, unmarked except for measure numbers, must be presented to the judges. Neither the student’s name nor the teacher’s name should appear on the score. Repeats are not to be taken. No photocopies will be accepted and, if presented, the student will automatically be disqualified. Photocopied scores may be accepted if written permission from the publisher is presented, but the Merit Scholarship Chairman must be notified of this situation in writing on or before the deadline.

All repertoire must be in its original form. ABSOLUTELY NO ARRANGEMENTS OR “POP TUNES” will be accepted. The only exception to this is for music used in the MMTF Ensemble Scholarship auditions.

No piece will be allowed if it has ever been auditioned in any competition sponsored by FSMTA District VI Music Teachers Associations, including Broward County, Miami, Palm Beach County and Treasure Coast MTA’s.

Applications must be sent to the Chairman by the deadline and on the forms appearing in Tones and Overtones. If sent by e-mail, applications will be considered received on the date when the entry check is postmarked.

The fee for each application is $20 (for the MMTF Ensemble Scholarship the fee is per student, not per ensemble). A check from the teacher must accompany the applications, and only checks from MMTA members will be accepted. If more than one application is being submitted, teachers should submit a single check for the total amount due. Checks must be payable to MIAMI MUSIC TEACHERS FOUNDATION. To receive the judges’ brief critiques, the teacher must send a self-addressed and stamped envelope along with the application.

Any entrant whose program or application does not meet the requirements will be notified within 3 days of receiving the applications and given an opportunity to make the necessary changes.

Three judges having no connection with any student entered will audition students on performance. No one may be present at the auditions except student, judges, and competition Chairman. All decisions of the judges are final and will not be subject to further review. They have the right to declare no winner. One entrant in a competition category does not automatically guarantee a winner. Judges will be instructed not to speak with teachers or parents at any time, and to speak with students only very briefly if necessary.   Teachers may not contact judges on the day of the event or afterward, and if this rule is broken they may not send students for any competition the following year.

Questions or problems arising from competitions must be handled by the student’s teacher through the Scholarship Committee Advisor or the competition Chairman. Parents are not allowed to contact these chairmen.

 

SCHOLARSHIPS

Each Active member may submit a maximum of 5 students for the scholarships A, B and C below.

 A) (i) MERIT SCHOLARSHIPS for piano: Maximum 3 Students per teacher.

Applicants are judged within school grade levels, as follows (the student’s school grade on January 1 preceding the audition will determine the level):

Junior A:         students through grade 4.

Junior B:         students in grades 5 and 6.

Junior C:         students in grades 7 and 8.

Senior A:         students in grades 9 and 10.

Senior B:         students in grades 11 and 12.

 A) (ii) MERIT SCHOLARSHIPS for voice:

Applicants are judged in these age levels:

Junior: through age 13, at time of audition.

Senior A: age 14 through 16, at time of audition.

Senior B: age 17 through 20, at time of audition.

At all levels students are required to perform three pieces from memory, each from a different period (baroque, classical, romantic, impressionist, 20th century). The only exceptions are Junior A piano and Junior voice, where repertoire does not have to be from different historical periods. Concerti or movements from concerti will not be accepted.

Merit Scholarship first place winners at any level will not be eligible to compete the following year at that level, but may compete in the next higher level if in the correct school grade (or age, for voice contestants).

Merit Scholarship first and second place winners at each level may perform one of the pieces from their audition program in the Honors Recital. Judges may recommend the recital piece, but the final choice may be made by the student. Merit scholarships for other instruments are also available.   For further information contact Merit Scholarship Chairman.

 B) HESS SCHOLARSHIP: 1 student per teacher

All applicants play the same required composition, as announced each year in Tones and Overtones.

Each teacher may send only one student, and that teacher may send only two students for the Merit Scholarships, one of whom may be the Hess applicant (however, the Hess required composition may not be used as part of the 3-piece Merit program). Entries are limited to the first 10 applicants, and the winner may play in the annual Honors Recital. The winner may not compete for this scholarship the following year, but may apply again in two years.

 C) MMTF LATIN-AMERICAN SCHOLARSHIP: 1 student per teacher.

A student may audition for Hess and Merit or Latin-American and Merit, but may not use the Hess piece or either of the Latin-American pieces in the Merit audition. A student may not audition for all 3 of these scholarships.

Applicants must play two pieces of contrasting styles by Latin-American composers. If there is any doubt regarding this requirement, contact the scholarship chairman before assigning the work. One student per teacher may apply, and that teacher may only send 2 students for the Merit Scholarships.

A student who auditions for this award may also audition for a Merit Scholarship but may not use one of the Latin American pieces as part of his 3-piece Merit program. The winner may play in the annual Honors Recital. He may not compete for this scholarship the following year, but may apply again in two years.

Note: Teachers may enter a maximum of 5 students in A, B and C above; i.e. 3 for Merit and 2 for Hess, OR 3 for Merit and 2 for Latin-American, OR 3 in Merit, 1 in Hess and 1 in Latin-American, etc. Also, there is a maximum of 3 students per teacher for the merit scholarship, so no more than 3 of the 5 can be for merit. A STUDENT MAY NOT AUDITION FOR MORE THAN 2 OF THESE 3 SCHOLARSHIPS.

  D) MMTF ENSEMBLE PIANO ENSEMBLE SCHOLARSHIP: 2 ensembles per teacher, playing as a duet/duo, trio or quartet.   Two pieces are required. 

Entries are divided into Elementary (through grade 4), Junior (grades 5 through 8) and Senior (grades 9 through 12). Two ensemble groups per teacher may audition and this does not limit other entries by that teacher. A student may enter only one ensemble. The $20 application fee is per student, not ensemble. First place winners at each level may play one of their ensemble pieces at the Honors Recital. Any first place winner may not compete for this Scholarship the following year, but may apply again in two years. At the time of this audition original scores must be provided for the entrants, as well as one original for the judges.

  E) SIGHT READING SCHOLARSHIP: 1 student per teacher.

This scholarship is geared towards the beginning piano student through school grade 5. Teachers are encouraged to develop good habits in tackling new material, by using sight reading materials on a regular basis.

Evaluations will take place during the performance audition at FSMTA District Vl Student Day in Miami. Students will need to enroll in the Student Day program.

Students selected by the Student Day judges for superior sight reading skills will have a second and final round of evaluations. One winner in each of the following categories will be chosen:

  1. School grades: Pre-school – 3rd
  2. School grades: 4th and 5th

The winners will receive their awards either at the annual MMTF Honors Recital or the Student Day Honors Recital.

 F) MMTA COMPOSITION CONTEST:

      All compositions submitted must be an ORIGINAL WORK and no longer than 5 minutes.

  1. Three levels: ANY INSTRUMENTATION and COMBINATION. Age as of January 1st of the audition year: A. ELEMENTARY: Ages 5-10 (minimum 16 measures) B. JUNIOR: Ages 11-14 C. SENIOR: Ages 15-18
  2. One WINNER and/or HONORABLE MENTION from each category will be awarded with a cash award to be determined by MMTF.
  3. The judge’s decision is final. The judge may/may not declare a winner or honorable mention.
  4. Compositions must be handwritten and/or computer notated by the composer.
  5. The Winning Compositions will be performed at the annual MMTF Honors/Scholarships Recital.
  6. Winners must be present and are responsible for the performance and obtaining performers.

 APPLICATION REQUEST

  1. Entry fee of $20 and application due three weeks before the Honors Audition date. Mailed to the Composition Contest Chair.
  2. One FULL SCORE with ONLY the “TITLE and LEVEL” on the manuscript (no names) with the measures numbered preferably at the

beginning of each system. Scores will not be returned.

  1. On a separate sheet of paper include the COMPOSER AND BIRTH DATE, TITLE AND INSTUMENTATION, LEVEL, DURATION, and

TEACHER (MMTA member).

  1. Awards to all scholarship winners will be presented at the Honors Recital. All students chosen to perform in this recital are required to perform. It is intended that awards be used to further the student’s music education.

RULES FOR HONOR RECITALS

1) Auditions will be held each spring, for exceptional students of piano, voice, or any instrument. To be eligible to submit students, a teacher who holds ACTIVE membership must have paid current MMTA, MTNA, and FSMTA membership dues on or before October 1 of the current fiscal year. The only exception to this deadline will be granted to a teacher joining those three organizations for the very first time. This one time exception will allow the teacher to pay all dues on or before January 1st of the audition year. In accordance with MMTA bylaws, an Active teacher must also attend at least two meetings during the current fiscal year (June through May). For teachers entering students for MMTF Honors and/or ALL Scholarships, these 2 meetings must be attended BEFORE THE APPLICATION DEADLINE.

2.Students must have completed at least 6 months study with the teacher who submits the application. Students who have graduated from high school or taken the GED are not eligible (except for voice students, where the age limit is 20).

3.Participants are judged within two age divisions as follows:    Junior Division: age 13 or younger.           Senior Division: ages 14 through high school, except for Voice, where the age limit is 20. The participant’s age on January 1 preceding the audition will determine the Division.

  1. Each Active member may submit two students for the audition. These may be two in the Junior Division, two in the Senior Division, or one in each division.
  1. All repertoire must be in its original form. Absolutely no arrangements or “pop tunes” will be accepted.
  1. No piece will be allowed if it has ever been auditioned in any competition sponsored by FSMTA District VI Music Teachers Associations, including Broward County, Miami, Palm Beach County and Treasure Coast MTA’s.
  1. Applications must be sent to the Chairman by the deadline and on the forms appearing in Tones and Overtones. If sent by e-mail, applications will be considered received on the date when the entry check is postmarked. The fee for each application is $20.00. A check from the teacher must accompany applications, and only checks from MMTA members will be accepted. If more than one application is being submitted, teachers should submit a single check for the total amount due. Checks must be payable to MIAMI MUSIC TEACHERS FOUNDATION. To receive the judges’ brief critiques, the teacher must send a self-addressed and stamped envelope along with the application.
  1. At least one original of the piece played, unmarked except for measure numbers, must be presented to the judges. Neither the student’s name nor the teacher’s name should appear on the score. Repeats are not to be taken. No photocopies will be accepted and, if presented, the student will automatically be disqualified. Photo-copied scores may be accepted if written permission from the publisher is presented, but the Honors Recital Chairman must be notified of this situation in writing on or before the deadline.
  1. It is permissible for students to audition with two pieces of no more than one minute each; if selected for the recital, both pieces may be played. Timing will be strictly enforced. All other students may play only one piece, or one movement from a multi-movement work. All students are required to perform from memory.
  1. If a student auditioning for the Honors Recital is also auditioning for a scholarship, one of the scholarship audition pieces may also be played for the Honors Recital audition.
  1. In the event that two applications are submitted for the same work, the earlier postmarked or e-mailed application will be accepted. The other applicant will be contacted and given the opportunity to submit a different work.
  1. Three judges having no connection with any student entered will audition students on performance. No one may be present at the auditions except student, judges, and Honors Recital Chairman. All decisions of the judges are final and will not be subject to further review. Judges will be instructed not to speak with teachers or parents at any time, and to speak with students only very briefly if necessary. Teachers may not speak or be visible to judges, and if this rule is broken they may not send students for this event the following year.
  1. A list of students chosen to participate in the Honors Recital will be mailed or e-mailed to teachers as soon as possible after the auditions. Results will not be given by telephone. The number of Honors winners will depend on the number of entries.   The board will decide each year the number of winners.
  1. Questions or problems must be handled by the student’s teacher through the Scholarship Committee Advisor or the Honors Recital Chairman. Parents are not allowed to contact these Chairmen.
  1. Students selected by the Honors Recital audition judges to perform in the Honors Recital will not be eligible to audition for the Honors Recital the following year, but may apply again in two years. For further information contact Honors Recital Chairman.

FUNDRAISERS

MMTA has enjoyed a long tradition of phenomenal fundraising events, from multi piano events, to pianothons, collaborating with the nation’s charities in “Evening of Giving” mall performances, jazz festivals and more. This year, another beautiful Holiday Gala at the Coral Gables Museum.

 

fundraiser

PROGRAM

The Bamboo Forest by V. Roubos

Katherine Song

Grandpa’s Pocket Watch by Brady

Dashiell DeStefano

Samoan Fire Dance by M. Mier

Eric Kuo

Vayamos by V. Roubos

Garret Mullins

Sonatina Op.55 No.3 I. Movement by Kuhlau

Alysa Englehardt

Venetian Boat Song Op. 30 #6 by F. Mendelssohn

Mikoto Furuya

Humoresque by E. Bagdasarian

Sima Vazquez

Prelude in E-flat, Op. 23, No. 6 by Rachmaninoff

Arn Xu

Prelude in G-Flat Op. 23 No. 10 by Rachmaninoff

Ben Silver

Fantasia in A minor by R. Hartsell

Daniel Farias

Barcarolle by V. Roubos

Victoria Kei

Sonatina in C Major Movt I by W. Gillock

Ashley Garcia

Scherzetto by C. Hudelson

Victoria Hernandez

Titanium Toccata by D. Alexander

Connor Kei

Invention No.8 by J. S. Bach

James Kuo

Mazurka Op. 68 #3 by F. Chopin

Adriana Diaz

Hungarian Dance # 5 by J. Brahms

Douglas Shu

Nocturne (Posthumous) by F. Chopin

Bianca Herlory

Tarantella by Pieczonka

Emily Collins

Prelude BWV 999 by J. S. Bach

Lucas Miner

Nocturne Op. 9 No. 2 by F. Chopin

Liam Neff

Etude by A. Khachaturian

Nika Kazumyan

Impromptu Op. 90 #2 by F. Schubert

Charlotte Griffin

“Close Every Door “ from Joseph and the Amazing Technicolor Dreamcoat by Lloyd Webber/Tim Rice

Amanda Vazquez

“Still, Still, Still” by M. Bober

Kathryn & Michele Suner, Piano Duet

The End…